Friday 04.07.25 20:00, Halle, Alte Feuerwache Köln
Tickets: 5/9€
Saturday 05.07.25 20:00 Plantage 13, Bremen
8/14 €
(no reservations, just come! Doors open at 19:30h)
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“Our word has been buried under stones of silence, but it remains alive”
Alicia Escobar (Mapuche intellectual)
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The second program of our 10-year anniversary cycle deals with the concept «stones».
In this context, the work “Retazos” for electric guitar and video by the Chilean composer Francisco C. Goldschmidt (*1981) will be premiered.
The work “Laconisme de l'aile” (1982) by Finnish composer Kaija Saariaho (1952-2023) for flute solo and electronics will then be performed by flutist Matura Staravoitava.
The program continues with the work “Kintsugi (2016) for clarinet and tape by the Italian composer Zeno Baldi (*1988), interpreted by the clarinettist Moritz Schneidewendt.
As an interlude, the acousmatic piece “Metáfora Sobre la Piedra” (2016) by the Argentinian composer Evelyn Frosini (*1983) will be presented in an interdisciplinary version with video (2022). She will also premiere a new trio by for flute, clarinet, electric guitar and electronics.
Video art by artist Nicolás Rupcich will be used for the visual part of the concert.
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Program
Evelyn Frosini & Nicolás Rupcich
«Metáfora Sobre la Piedra» (2016)
for tape & video
Kaija Saariaho
Laconisme de l'aile (1982)
for flute & electronics
Zeno Baldi
Kintsugi (2015/16)
for clarinet & tape
Francisco C. Goldschmidt & Nicolás Rupcich
Retazos (2020)
for electric guitar & video
Evelyn Frosini
«new piece» (2025, world premiere)
for amplified flute, clarinet, electric guitar & electronics
KOMMAS ENSEMBLE
Maruta Staravoitava, flute
Moritz Schneidewendt, clarinet
Francisco C. Goldschmidt, electric guitar
Nicolás Rupcich, videoart
Evelyn Frosini, electronics
Sebastián Zuleta, sound director
Coco Kausch, light
Lautaro Mura Fuentealba &
Francisco C. Goldschmidt
artistic direction
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sponsored by:
Kunststiftung NRW & Kulturamt der Stadt Köln